Sunday, 12 May 2013

Moodymann ‎– Silent Introduction

Moodymann also known as Kenny Dixon Jr or KDJ for short, is a Techno/House musician based in Detroit, Michigan.

He creates a thoroughly hybrid form of techno/house dance music, jazz, soul, disco and funk via his innovative use of reworked riffs, samples (including old movie soundtrack samples mainly culled from the old blaxploitation and b-movie genres), and grooves taken from Detroit's historically influential jazz, R&B, soul, funk, and disco scene.
http://en.wikipedia.org/wiki/Moodymann



This amazing LP contains few singles that have come out on KDJ, a beautiful collection of pure electronic soul. Moodymann made a great work contaminating electronic music with jazz samples and some space disco grooves, giving to us a brilliant mixture of different styles. There are also some excellent deep house tunes such as "In Loving Memory" that was one of my favourite tracks on this masterpiece.
traxfranz
http://www.discogs.com/Moodymann-Silentintroduction/master/6119



Beginning in 1996 or so, Kenny Dixon, Jr. quietly began releasing on his own KDJ label a number of remarkable 12" EPs as Moodymann, which were in turn cherry-picked by Carl Craig's tastemaking Planet E label soon afterward for a phenomenal full-length debut, Silent Introduction. The album is a compilation of previously released tracks -- among them "Misled," "I Can't Kick This Feeling When It Hits," "Answering Machine," and "Sunday Morning" -- yet Dixon creatively edits them into a fascinating whole that is as cinematic as it is danceable, partly audio montage and partly DJ-style mix. It's an excellent introduction to Dixon's world of deep house music-making, and it also makes a wonderful accompaniment to his 12" EPs, which tend to be dancefloor- rather than listener-oriented, not to mention downright challenging to find. More than anything else, Silent Introduction is the release that catapulted KDJ from simply underground to underground legend in one fell swoop. It's arguably his best full-length release, as his subsequent ones take on a more experimental tone, and moreover, it's undoubtedly ground zero for exploring his twisting, curious catalog.
Jason Birchmeier 

The talking, the narration that caused so much controversy—all that. That was the first time that I ever dealt with anything that had all that controversy. He made some statements—Detroit militant statements—that were more him being silly than anything that he ever believed. Of course, it always seems like when it comes down to race, that it's a one-sided story with a lot of folks, and I think people got that kind of concept from it. But he's not that kind of guy. 
Carl Craig

1 comment:

Anonymous said...

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