Monday, 16 January 2012

festive


Pierre Clémenti in Benjamin, or the Diary of an Innocent Young Man (1968)

Extract from Dennis Cooper - The Marbled Swarm:

Serge favored vintage black Slimane jeans, so tight in the legs that his near-robotic gait would have made Pinocchio a track star. His faux old-fashioned choice of a white and gauzy sweater flecked with Christmas trees was geared to mismate with a visible black T-shirt whose skull-emblazoned front seemed to represent his tortured soul's Peeping Tom. His limp, unimaginatively brown, forgotten-esque hair was worn in two chin-length, barely parted bangs that cordoned off a lightly made up face so classic that, had he not been such a downer, it might have sucked fan mail into his in-box like atmosphere into a punctured jet.
So taken was I with the drab atmospherics and festive details of this crosshatched-seeming boy that I was caught quite off guard when his morose eyes rose just far enough to spot the bulge he had occasioned in my slacks.

Thursday, 12 January 2012

Yuck 'n Yum Guest Zine Winners

Yuck ‘n Yum are proud to announce our two commissioned Guest Zine Projects: Valerie Norris with Steven Myles, and Michael Lacey.



Val Norris is a Dundee based artist who works within the medium of drawing. She has exhibited extensively with her most recent work featuring alongside Alex Frost and David Shrigley. Steven Myles is a musician also based in Dundee. They share an interest in song-poems, and will be creating a zine dedicated to the musical phenomenon.



Song-poems peaked in popularity between the 1950s and 1980s in America, originating from the slightly dubious commercial enterprise whereby music publishing companies would place adverts in magazines, soliciting lyrics from the general public and for a nominal fee arrange, record and press the “song-poem”. The basic premise is “We’ll set your song, your poem, even your goddamn shopping list to music; we don’t care what you give us, so long as your checks don’t bounce.” The undiscerning, democratic nature of the genre allows the opportunity for the full spectrum of the imagination to be expressed – from the banal to the transcendent, to the downright weird. Val and Steven will explore this rainbow of eccentricity through a collection of essays, experimental texts, cartoon strips, drawings and photographs.



Michael Lacey is an artist, illustrator and writer based in Glasgow and Liverpool. He graduated from Glasgow Art School in 2009. Michael’s work has been described as bold fragmented filmstrips. His most recent commission sees Michael join treasured Scottish artist Alasdair Gray as the only other artist to create a mural for Ubitqitious Chip. Michael will create a comic from a body of work he is currently working on.
He describes it as ‘A mess of drawings and lies concerning giant birds, dying ghosts, haunted boats, dogs carved into cliff faces, enormous brains in glass spheres, waterfalls of pianos, mutilation (self and general), rivers of blood, flooded hotels, dangerous playgrounds, accidental murders, magical circuses, abandoned mazes, pointless rituals, headless swordfighters, ballet-dancing goats, endless staircases, cavernous graves and deserted hotels pitching themselves into the sea.’



These projects will be developed by the artists over the next few months. Yuck ‘n Yum will then produce, launch and distribute the zines. We will be keeping you updated with progress and key dates along the way through the usual channels.

Yuck ‘n Yum would like to thank the Hannah Maclure Centre for their generous support in making this project happen.


Love from all the Yuck ‘n Yum team.

LINK

Wednesday, 11 January 2012

winning


César Luis Menotti

Extract from Jonathan Wilson - Inverting the Pyramid: The History of Football Tactics:

Menotti was an ineffably romantic figure. A pencil-thin chain-smoker with collar-length hair, greying sideburns and the stare of an eagle, he seemed the embodiment of Argentinian bohemianism. He was left-wing, intellectual, a philosopher and an artist. 'I maintain that a team is above all an idea,' he said, 'and more than an idea it is a commitment, and more than a commitment it is the clear convictions that a coach must transmit to his players to defend that idea.
'So my concern is that we coaches don't arrogate to ourselves the right to remove from the spectacle the synonym of festival, in favour of a philosophical reading that cannot be sustained, which is to avoid taking risks. And in football there are risks because the only way you can avoid taking risks in any game is by not playing...
'And to those who say that all that matters is winning, I want to warn them that someone always wins. Therefore, in a thirty-team championship, there are twenty-nine who must ask themselves: what did I leave at this club, what did I bring to my players, what possibility of growth did I give to my footballers?
'I start from the premise that football is efficacy. I play to win, as much or more than any egoist who thinks he's going to win by other means. I want to win the match. But I don't give in to tactical reasoning as the only way to win, rather I believe that efficacy is not divorced from beauty...'

Tuesday, 10 January 2012

Bounce N Break Yo Back


DJ Spinn has been one of the most powerful forces in both footwork circles and the house party scene for the last ten years, known for his extensive knowledge of jazz and his ability to turn records by the likes of Roy Ayers into 160 BPM compositions.

The classifications that attach themselves to juke and footwork are generally based on what kind of party you're going to hear the track at, and while both are forms of dance music—one for the ass, the other for the feet—there has always been a gray area between the two. "Bounce and Break Your Back" is a perfect example. Receiving radio play on both Chicago and Detroit airwaves, it's a definite party starter familiar to those that want to bob, and those that want to bang.
http://www.residentadvisor.net/feature.aspx?1235

What follows is a stack of 20 YouTube videos that show people dancing to DJ Spinn - Bounce N Break Yo Back:


at the house bouncin!!!!


Lol no comment


me recording my people dancing and acting crazy.


us gettin it in on a bored nite


killin it on yall haters


BOUNCE AND BREAK YO BACK DANCE MIX BY THE EAT EM UP GB'S BOOTY POPPIN SHAKIN TWERKIN


tashe 2nd video


oakhill


i was tired but still tried


[WE] AiNt kNO WAt tO dO lOl-*[WE] WAS jUSt jUKiNq ACtiNq dUMb


Bounce and Break Yo Back dance contest at Haitian American Festival. Norwalk, Connecticut.


Just havin fun


nun


me


ashley getting it


Dance


Marri at 4 years old


topfantasy2004's webcam video October 11, 2010, 10:33 AM dancin to bounce &^ break yo Back


i was fckin gettin it raw iz hell i believe imma have sum haterz 4 dis one


LOL WE WAS TRIPPIN AGAIN AFTER THE SUPERBOWL
LETS GET IT LADIES!!!

Friday, 6 January 2012

displayed



Marcel Duchamp: Étant donnés: 1. La chute d'eau, 2. Le gaz d'éclairage (Given: 1. The Waterfall, 2. The Illuminating Gas)

Extract from Bruce Hainley, Pep Talk 5:

PT: That makes me wonder what was your entry, growing up in your family, to art, museums, reading, good books and authors you still love or the beginning of all that? You've talked about Interview magazine before, but...

BH: Interview was crucial, and my parents were members of the Philadelphia Museum of Art. For a period of my life, I saw the Étant Donnés as much if not more than any other work of art. Once I discovered it, tucked away in its corner of the museum, I wanted to see it every time I visited the museum... I remember the first time I saw it I literally thought it was the most hilarious thing I'd ever seen. I still think it's got that shocking aspect: very rarely do you see in any kind of art context what is taken to be "pussy" so splayed and displayed. I just could not believe that that was in a museum...

Tuesday, 3 January 2012

receipts

Ringing in the new year with a few new records:


Deux - Decadence LP (Minimal Wave), $21.00


Willie Burns - = House (Creme Organization), £7.49


Seaside Houz Boyz – Seaside Houz Trax (Creme Organization), £7.49


Timothy J. Fairplay / Kalidasa - Cleopatra Loves The Acid / Bursting Through (World Unknown), £6.66

Monday, 2 January 2012